Baker wrote:DRM suffers from the problem that many digital protections do: for those who want to break it, it's easy to circumvent, while it can be a downright annoyance to legitimate users.
That sums the situation quite well
!Baker wrote:DRM suffers from the problem that many digital protections do: for those who want to break it, it's easy to circumvent, while it can be a downright annoyance to legitimate users.
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The problem is not copyright restrictions. Most authors do not divide up digital publishing rights by territory. So you should be able to buy an ebook from a website based in another EU country. It is ridiculous that today people end up lying about where they live to cheat the system, or are forced to buy from the US. Piracy is fostered by this impossibility to buy legally.
So these issues must be addressed by the industry. For its part, government can fix the ebook tax fiasco. In the UK, why should the government charge no VAT on printed book sales and charge the highest VAT rate (20%) on ebook sales? Principles of logic and fairness cannot explain this. Whatever the tax rate applied in a given country, a book is a book. All books should be taxed equally.

In the UK, why should the government charge no VAT on printed book sales and charge the highest VAT rate (20%) on ebook sales? Principles of logic and fairness cannot explain this. Whatever the tax rate applied in a given country, a book is a book. All books should be taxed equally.

It takes the average reader just seven hours to read the final book in Suzanne Collins's "Hunger Games" trilogy on the Kobo e-reader—about 57 pages an hour. Nearly 18,000 Kindle readers have highlighted the same line from the second book in the series: "Because sometimes things happen to people and they're not equipped to deal with them." And on Barnes & Noble's Nook, the first thing that most readers do upon finishing the first "Hunger Games" book is to download the next one.
Amazon, in particular, has an advantage in this field—it's both a retailer and a publisher, which puts the company in a unique position to use the data it gathers on its customers' reading habits. It's no secret that Amazon and other digital book retailers track and store consumer information detailing what books are purchased and read. Kindle users sign an agreement granting the company permission to store information from the device—including the last page you've read, plus your bookmarks, highlights, notes and annotations—in its data servers.
Barnes & Noble has determined, through analyzing Nook data, that nonfiction books tend to be read in fits and starts, while novels are generally read straight through, and that nonfiction books, particularly long ones, tend to get dropped earlier. Science-fiction, romance and crime-fiction fans often read more books more quickly than readers of literary fiction do, and finish most of the books they start. Readers of literary fiction quit books more often and tend skip around between books.
Those insights are already shaping the types of books that Barnes & Noble sells on its Nook. Mr. Hilt says that when the data showed that Nook readers routinely quit long works of nonfiction, the company began looking for ways to engage readers in nonfiction and long-form journalism. They decided to launch "Nook Snaps," short works on topics ranging from weight loss and religion to the Occupy Wall Street movement.
Pinpointing the moment when readers get bored could also help publishers create splashier digital editions by adding a video, a Web link or other multimedia features, Mr. Hilt says.
Oh, please no... I really DO NOT want an effing song and dance number on page 228 of a biography of Otto von Bismarck!


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